Founders

Mario Guarneri has been a professional musician for 64 years, and a union member since the age of 13. As a performer in the Los Angeles Philharmonic, he participated in players' committees that broke new ground related to musicians' rights and working conditions. He was a founding member of a minority training program—the first of its kind in the country—that helped prepare gifted minority artists for careers in symphony orchestras. He also started a contemporary music series in Los Angeles. Reflecting on his successful career as a musician and teacher, Mario is most proud and excited about continuing to bring improved working conditions and economic justice to professional independent musicians. Jazz in the Neighborhood, which Mario founded in 2013, is the genesis for the Independent Musicians Alliance. As part of the founding faculty at the California Institute of the Arts, Mario created curriculum based on his experiences as a performer and teacher. In 1986, he created a teaching tool that has been helping brass players worldwide for more than 33 years. When he joined the faculty of the San Francisco Conservatory of Music in 1992, Mario created a free improvisation class as well as a class on “How to get a gig when you graduate." Both courses continue in some form to this day.

Mario Guarneri

Mario Guarneri

In 1999, Eric Whittington founded a small, general interest bookshop, Bird & Beckett Books & Records, in San Francisco’s Glen Park neighborhood. The store soon began programming occasional jazz concerts for its customers. By 2008, the shop was averaging 60 concerts a year. Eric moved the business up the street to a slightly larger space; established the nonprofit Bird & Beckett Cultural Legacy Project (BBCLP); and began to significantly increase concert programming. By 2019, the BBCLP was presenting as many as 200 jazz concerts annually—virtually all featuring Bay Area-based professional musicians. Eric's commitment to fair pay for musicians has been consistently evident since Bird & Beckett’s foray into concert promotion began. It stems from his basic working class orientation, and from his studies in labor issues at San Francisco State University. While his involvement in bookselling began in the mid-1970s, his experience in concert promotion started in the early 1980s, when he was also active in independent film production, and operated a small record label. Born in 1956, Eric lived in ten cities on both U.S. coasts, as well as in Yokohama, Japan, before moving to Berkeley in 1974 to attend the University of California, where he completed a BA in film studies. He has lived in San Francisco since 1976, where he raised three children, now adults, all currently involved professionally and academically in the arts and education.

Eric Whittington

Eric Whittington


WHO WE ARE

The IMA is a solidarity organization formed to promote the free interchange of ideas and information among the professional jazz musicians of the Bay Area, to aid in their ability to collectively advocate for new standards of compensation, benefits, and working conditions in regional settings from clubs to concert halls, hotels to hovels, school rooms to Zoom screens, wedding halls to convention centers, and bars to assisted living centers.

Independent musicians need decent pay and a safety net. To get that, they need a comprehensive understanding of the facts on the ground, and a vision of an achievable future where cooperation from private employers and local and state policymakers can reward our culture workers with a decent and reliable standard of living. The IMA seeks to help musicians collaborate and improvise to help them gain a rational and solid economic footing in an uncertain world.

WHAT WE DO

We know that by bringing together professional independent musicians in the Bay Area from all genres, we will create a focused message and plan of action to change existing conditions. Through solidarity of purpose, we plan to create a grassroots alliance through which advocacy and change can and will occur. In collaboration with Jazz in the Neighborhood, the Center for New Music, Bird & Beckett, and InterMusic SF, we have gathered information about pay and working conditions from musicians around the region. We will use this information to educate the public and musicians about current conditions, and to formulate strategies to change existing practices for the better. Initially, incremental changes to existing conditions will create a pathway to success. This will be achieved when we have put economic guarantees and respectful working conditions into achievable collective bargaining agreements. The collective alliance will create the road map for success.

SHARED VISION

I am proud to be a member of the Independent Musicians Alliance and affirm its mission built on the power of solidarity. I support the work of the IMA to set minimum and evolving standards of working conditions and guaranteed wages for professional musicians and artist teachers in the greater Bay Area. 

Musicians have no control over their wages and working conditions in large part because they have no bargaining leverage as individuals, and have presented no collective voice.  Overall, these conditions have affected expectations and created a lack of confidence and pride in their profession. The Independent Musicians Alliance will work to change that.


Contact

mario@independentmusiciansalliance.org

gabe@independentmusiciansalliance.org - Media and Public Relations